NH-10 : In theater March 6th

Anushka is back again with one more...

After a great success in her last release with Amir Khan, ‘PK’, the bollywood actress Anushka Sharma has come up with another wonder. The sexy queen has all the reasons to feel on top of the world, after the back to back thriller movies. Her next blockbuster ‘NH-10’ is said to hit the big picture in 6th march in India.

The upcoming Indian thriller film NH-10  is directed by Navdeep Singh. Anushka and Neil Bhoopalam take the leading role in this movie. Phantom Films co-produce the film which is debut project of Sharma. It tells the story about a young couple who encountered a group of violent criminals in a road trip. Road trip is referring to the national highway NH-10 from Delhi to the border of Pakistan. Anushka plays the role Meera and Neil Bhopalam character is Arjun. The film mixes violence and the couple’s love which also refer to rape and other violence. Anushka’s strong character made this film a woman-centered film.  

Anushka recently released the first look of her from the movie which received positive reviews from hrr fans. Eventually the first motion poster came right after that. She posted: “The journey gets darker from here...presenting the @NH10themovie motion poster http://bit.ly/1yHpwcb”

The team soon released cover photos and posters and now the thrilling trailer ! 

The trailer of the movie was released in a few days back. haven't seen?? Check here.

These two movies changed cleared the name for her after the thing with Virat Kholi. These couples where like to continue their relationship forward to a long lasting one. Well if that it, all the best fellas!!

Anushka Sharma's latest release, NH10, had been certified an 'A' by the Censor Board in the country. However, neighbouring Pakistan seems to be somewhat more lenient while passing films - NH10 has been tagged a 'U' by the Censor Board of the country.


Read more at: http://indiatoday.intoday.in/story/nh10-adults-only-india-censor-board-u-pakistan-anushka-sharma-film/1/424117.html

While the violence and cuss-words in the film led to its 'Adults Only' certification in India, Pakistan cleansed the film by cutting out certain scenes, and passed it as okay for all ages. According to what a daily has revealed, several slangs and cuss-words that were used in the film, have been ordered for removal by the Pakistani board. Its Indian counterpart, incidentally, had ordered the same words to be removed.



Directed by Navdeep Singh, NH10 released in theatres March 13. While the initial response at the Box Office has been sort of lukewarm, the word-of-mouth publicity is supposed to have helped the film grow over the weekend.

MOVIE PLOT: NH-10

When you are faced with mortal danger, you can either fight or flee. NH 10 takes us on a journey in which both fleeing and fighting struggle for space, till the time comes to stop running.

When young, attractive, urban professional Meera (Anushka Sharma) urges her husband (Neil Bhoopalam) to run away from the men who are terrorising them, she is doing what instinctively comes to most of us. When she turns around to face the enemy, we want to cheer. Because this is a lone woman in a man’s world, the kind of world where women are killed before they are born, or dumped, after they draw their first breath, in rubbish bins. It is the land of the Khaps, where caste and gender determine whether you will live or die. Or, worse, how you will live and die.

The build-up in Navdeep Singh’s second feature is so tight, so tense, so horrifying that you can’t blink. NH 10 goes through Haryana, which is about as far as it can get from the upscale Gurgaon highrises people like Meera and Arjun occupy: as a character tells Meera, “jahaan aapke Gurgaon ka border khatam hota hai, wahan law khatam, maddam”.

A run-in with a bunch of violent men who are seen abducting a young couple begins a spiral in which Meera and Arjun sink deeper and deeper, with no reprieve in sight. Gunplay results in an accidental death, and the bunch, led by Satbir (Darshan Kumaar), turns upon the two with murderous intent.

When the chase is under way, the two urbanistas running for their life, wounded and bleeding, you sit there with your heart racing and your hands clenched. Till this point the film is wholly believable, especially for those of us who have traversed the badlands of Haryana: these are roads where women are not safe, whether it is broad daylight or in the dark watches of the night.

Which is why Meera’s decision to turn upon the men with no other weapon than burning rage is too much of a stretch. Singh is clearly someone who knows his Jatland. His villages which dot the Haryana countryside are full of just-right sketches of grizzled taus sitting on khaats and being sardonic: that their jokes are misogynistic will never have occurred to them. The men are drawn with insider knowledge, and they are all scarily good, especially the always excellent Jhankaal, and Kumaar.

Some of Singh’s skills which he used to make Manorama Six Feet Under such a terrific film are in evidence here, in the recreation of the place where his lethal drama is playing out. The female sarpanch (Naval) who is the kind of woman who is the worst enemy of other women, rings true. So do the other women: both the one who survives and the other who doesn’t, paint an accurate portrait of a part of today’s India which lives, flagrantly flouting all rules, in medieval times.

But the suspension of disbelief is difficult when it comes to the leading lady, who, in her zeal to become a Killi Billi, throws the credibility switch. It’s not that Sharma, who has also produced the film, is not trying hard. She is, and up to a point, she is in fine fettle. But at the point when she turns from flee to fight, I stopped believing.

Leading ladies green-lighting films that can have them on top is wonderful, but to what end? Meera, dragging on her stolen-but-earned cigarette, deciding on a career path, being an equal partner, is a great sight; Meera, dragging a sharp bhala on the ground, with the soundtrack helpfully amplifying the sound, does not leave me cheering.